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The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48-1984). ISBN: 7-5 ISSN: 0742-6968 First published in 2005 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Cataloging-in-Publication Data is available at British Library Cataloguing in Publication Data is available. Davis.īio-Bibliographies in Music, Number 99 Don Hixon, Series Adviser Marc Blitzstein at the piano in his apartment at 4 East 12th Street, 2nd floor. The book provides a unique and full perspective on the works of one of America's greatest composers—one who deserves to be better known. Shown in detail are the ways in which Blitzstein took music from his earlier works and developed it in later works, a process that Lehrman utilized in completing (with Bernstein's and the Estate's approval) 20 Blitzstein works for performance, including The Cradle Will Rock, I've Got the Tune, No for an Answer, Idiots First, and Sacco and Vanzetti, which Blitzstein believed would be his magnum opus.
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This book catalogs Blitzstein's own writings and writings about him, followed by detailed listings (chronological, alphabetical, and genre), analysis, a comprehensive performance history, and summaries of all known critiques of his 128 original musical works and 18 texts set to the music of others. Blitzstein's brilliant career was cut short in 1964 when he died at the age of 58. Called the father of American opera in the vernacular by luminaries Aaron Copland and Leonard Bernstein, Blitzstein was a masterful pianist, coach, and accompanist, though, ironically, he made more money on the lyrics to one song— Mack the Knife —than on everything else he ever did. It might scare you at first with its intricate menu, but if you're really keen on using it, you'll soon find out that behind all that complexity, lies a somewhat simple and easy-to-maneuver program.Marc Blitzstein was one of the 20th century's most important American composers, lyricists, and critics, often credited with having virtually invented opera in the American vernacular. The cue of any track can also be adjusted accordingly.Īmazing Slow Downer is definitely a useful application. Additional options include volume control, equalizer settings, and a selection of slow-down types. In addition, the sliders underneath give one the opportunity to play with other aspects of the track, mainly the track speed, pitch, and mix.
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Once you've imported your tune, the cells on the right will give you the opportunity to adjust the part in which you'd want to have the actual slow down of your track. Being somewhat knowledgeable in this domain could help one better understand what the user is theoretically up against. At first glance, it might look pretty scary. The scary part about Amazing Slow Downer is indeed the interface. You're about to play your favorite tunes in slow motion. The whole process deals with slowing down frames, which in turn adjust the speed at which all the notes in a tune are played. Being compatible with a hefty number of file formats, including WAV, MP3, WMA, OGG, FLAC, MPC, and MP4, you'll most likely find it easy to import your audio files. It's great if you want to practice playing a certain song.
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If you come to think of it, slowing down tracks isn't necessarily something only quirky DJs do. As far as usage is concerned, there could be many purposes for using this program. It helps slow down the pace or rhythm of these tunes giving various other adjustment options. In all truthfulness, the app deals with songs or audio files. Yes, it does have to do with slowing something down, but it doesn't really give any hints as to what that is. Amazing Slow Downer is an application that might get you a little bit confused, especially if you go on looking at its name.